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The nudity, unconventional acts and up-front talk about sensuality demystify and debunk taboos and false standards of sexual beauty. But Sprinkle’s performance never is done in a titillating or gratuitous fashion. OK, she does do some quirky things onstage, the infamous “Public Cervix Announcement” and a douche break included.

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But Sprinkle’s message-about one powerful woman’s capacity to create and re-create herself despite pervasive misogyny-should probably have been the real threat. Jesse Helms (R-N.C.) and his cronies went after Sprinkle a couple of years ago because she does things like invite viewers up to look at her cervix during her performance. But she’s actually a brave and articulate woman whose liberating wit and wisdom have created a compelling show. Annie Sprinkle just may be the one for whom they coined the phrase “You’ve come a long way, baby.” The ex-porn star turned performance artist, whose “Post-Post Porn Modernist” opened Thursday to an overflow crowd at Highways, is best known as the gal who got the religious right all hot and bothered during the NEA wars.












Brave app porn